In the photograph my mother is nineteenand has not met the country I was born in.
The backdrop is a painted balconythat opens onto a painted sea.Neither of them is anywhere.That is what a studio is for: to lend youa window you can stand in for one shilling.
She has done her hair the way the magazine said.She is not smiling, because smiling was notwhat you did with a whole shilling.
I have looked at this so long I have begunto mistake it for a memory. It is not.It is a thing I inherited, which is different —a window she stood in, on the way to a seathat was painted, in a country I only visit,holding still for the length of one breathso that I would have her face to keep.
About the ekphrasticA poem written in response to another work of art, such as a painting.
An ekphrastic poem looks at a work of art and answers it. That might be a painting, a photograph or a sculpture. It can describe what is there, speak to it, or wander off into what it stirs.
Listen for Whether the poem describes the artwork, speaks to it, or drifts toward something it stirred.
4 poems in this form →@nadia
Two languages, one notebook. Trusts the shorter poem.
11 poems · 9 readings received · 11 written · 2 followers
Readings (1)
Leave a reading
Readings are written by members — free, and the poem stays right here while you write.
Sign in to leave a readingNew here? Create an account — it takes a minute.
More by Nadia Osei
Alongside this one
Matched by shared theme or form. Where two match equally, the one still waiting for a first reading comes first.